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And, I discovered at Oscar nominations, this film written and directed by an Iranian and shot in Tehran, is a British production. If politically the year was bad, the movies (and long-form drama) did their best to make up for. Outside of a handful of international urban markets, theatrical screenings for these engaging, last-man-standing, particularly demanding works seem to be few and far between. Kater ( Tomcat, Händl Klaus, 2016) Kedi (Ceyda Torun, 2016) Kiki (Sara Jordenö, 2016) Mou ( Hair, Mahmoud Ghaffari, 2016) Riaru onigokko ( Tag, Sion Sono, 2015) In particular for its blindsiding final, surprisingly woke, twist Sangails vasara ( The Summer of Sangail, Alanté Kavaïté. Not when something this monumental, this multifaceted, comes along.

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But it was not until a long haul flight on British Airways to Singapore that I had the chance to see it on the small screen in my seat, alas. Elsewhere in Melbourne town King of Jazz (John Murray Anderson, Pál Fejös, 1930) This newly restored two-colour Technicolor treat is a revelatory combination of Art Deco surrealist set-pieces, acrobatic choreography and démodé trick photography bouncing off extremely dated but charmingly goofy humour and jazz which. The screening at Kino cinemas during miff became a shared experience for an audience that had to leave now and then for a toilet or meal break, but you rushed back. But he soon saw his work guided in a certain Orientalist manner by the producers. Or I would name films that would be politically correct highbrow arthouse or choices that reflected my politics to promote small cinemas and non-Western traditions. I was too slow to secure a highly coveted, limited edition Camera Obscura box set, but consoling myself with all its constituent Blu-Ray bit parts still made for quite some consolation indeed. The Resnais and Losey BDs give back much of the precision and luster conveyed in theatrical prints. Frame by frame genius, a film that is quite literally breath-taking. 45 Years (Andrew Haigh, 2015) The directors compassion is reflected in the two deeply moving central performances. In the past, my choices would never be in the mainstream yet surprisingly this year I liked films that are somewhere midway between the typical arthouse and still have mainstream appeal.

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Rencontre adultere fr namur But the script he and Paul Laverty wrote, and the excellent cast decisions he has made somehow bring high entertainment to leaven the tears youll shed at key moments. Never less than fascinating. Khesht va Ayeneh ( The Brick and the Mirror, Ebrahim Golestan, 1964) played at Iranian Film Festival at acmi. Mei ren yu ( The Mermaid, Stephen Chow, 2016) Any year with a new Stephen Chow release is worth celebrating, and The Mermaid continues his delirious directorial streak.

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Usually I have two separate lists; UK Theatrical Release and International Festival/Special Screenings. The Nice Guys (Shane Black, 2016) Seriously Seventies The Big Short (Adam McKay, 2015) So money Midnight Special (Jeff Nichols, 2016) Space oddity Youth (Paolo Sorrentino, 2015) So old Petes Dragon (David Lowery 2016 Spielbergian magick Jim: The James Foley Story (Brian Oakes, 2016). (but also: the whole world!) Cameraperson rainer knepperges filmmaker, cologne, germany. It was a year in which the triumphs were unexpected: a political documentary made for a better traditional comedy than any studio effort. Elle (Paul Verhoeven, 2016), a French-language debut by one of the worlds greatest living directors that should have happened years ago, stands in for the contemporary world cinema I still havent been able to sample. Heart of a Dog (Laurie Anderson, 2015) Já, Olga Hepnarová ( I, Olga, Tomáš Weinre Petr Kazda, 2016) The Lure s Michalina Olszańska watch out for her; shes gonna be huuuge as the eponymous queer Czech true crime automotive mass-murderer destined to be the last. Woman: A Dirty Song, Kumashiro Tatsumi, 1981) Akai bôshi no onna / Die Frau mit dem roten Hut (The Woman with the Red Hat, Kumashiro Tatsumi, 1982) Lady X 1 LAmant de Lady Winter (Mrs Winters Lovers, José Benazeraf, 1984) Lady X 2 Lady Winter. (James Whale, 1935) Il Cinema Ritrovato, Bologna Best new restorations: Die letzte Chance (Leopold Lindtberg, 1945) Déjà senvole la fleur maigre (Paul Meyer, 1960) Best Blu-Ray: Shield for Murder (Howard. Love Friendship (Whit Stillman, 2016) In retrospect, despite the ostensible difference between a thoroughly modern filmmaker and the 18th-century source material, its hard to imagine a better choice to adapt Jane Austens early unpublished novel Lady Susan than Whit Stillman. Some titles people had last year appear here for me because I saw them this year.

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